From first take to final cut.
A furnished, equipped studio, and the crew to shoot, edit and finish your story.
A furnished, equipped studio, and the crew to shoot, edit and finish your story.
Physical decor and furniture, extended with AI-generated scenes, so one studio can play many rooms.
Seven formats, each framed for the screen it will be watched on.
A treated room, broadcast mics and multicam capture, set up before you arrive. Booked on the live calendar.
Editing, colour grading, sound engineering, motion graphics, sound effects and music.
Episodes, reels and campaigns filmed and finished at 1001 Prod.
Book the studio on the live calendar, or send the brief for a full production. Pay at the studio or by bank transfer.
One set of cards and one lead object travel through the whole page. Each section reshapes the cards into a formation from the studio's own world. Between sections every card flips edge-on, swaps its content and lands in the new shape, while the lead object changes.
| Scene | Story beat | Formation | Lead object | What the cards show | Way in |
|---|---|---|---|---|---|
| 00 Hero | From first take to final cutWhat we are, in one image. | Tornado: tilted helix, wider at the top, cards curved to the cylinder, backs mirrored and dim. | Camera, slow turn | Finished work: reels, podcast episodes, spots | Page load: cards spiral in from below |
| 01 Studio | A set that changes with the storyThe space and the AI-scene differentiator. | LED volume: cards tile a concave wall behind the object, like a virtual-production stage. | Camera turns its back to us and faces the wall | Physical sets, furniture, AI-generated scenes | Helix unwinds outward and locks into the wall |
| 02 Formats | Seven formatsWhat you can make here. | Film-strip slider on a convex arc; scroll advances it one format at a time. | Camera rises and tilts down onto the strip | Cards resize to 9:16, 16:9, 2.39:1, 1:1, 4:5 | Wall peels off left to right into a strip |
| 03 Podcast | Walk in, press recordThe instantly bookable product. | Equipment orbit: a tilted ring of gear cards around the mic. | Broadcast mic in shock mount | The room's equipment | Strip curls into a ring; camera spins out, mic spins in |
| 04 Post | Finished in the same buildingPost-production services. | Edit timeline: four tracks of clips sliding under a red playhead. | Colour-grading panel | Clips: edit, grade, mix, motion, music | Ring flattens onto tracks |
| 05 Work | Made hereProof. | Curved wall, then dimmed with "View all" in the middle (the reference's ending). | Exits | Portfolio | Tracks stack into a wall |
| 06 Book | Your slot is openConvert: book or request a quote. | Deck: every card collapses into one stack, booking calendar on top. | Clapperboard, claps once | Booking calendar | Wall collapses into the deck |
Cards play muted 6-second loops, loaded per section with a poster frame first. Only the sections on screen play.
The footage is AI-generated preview material (Google Flow) standing in for real shoots in the studio. The post-production timeline is still drawn in code. The copy is English; the brief expects French first.
With reduced motion on, the tornado stops spinning, section changes cut instead of fly, and the cards show still frames instead of playing. Scroll still steps through the story.
Formations scale down and centre, copy sits at the bottom over a fade, and the section rail is hidden.